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Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist
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Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist

Modern Iran and the Avant-Gardes, 1948\u201378 explores how the complex cultural tensions of this period led to artistic innovation. As Iran became modern, modernism became distinctly Iranian. Iranian artists created a unique form of modernism that addressed the tension between commitments to innovate and an engagement with traditional Iranian ideas and cultural forms.

Lavishly illustrated, this publication features thirty artists who worked during the pivotal period between 1948 and 1978 and practised in a range of media from painting and sculpture to printmaking, drawing and architecture. Featuring an introductory essay by exhibition curator Pantea Haghighi that surveys the range of artistic and political influences on the emergence of Iranian modernisms and a selection of focused essays by

Modern Iran and the Avant-gardes, 1948\u009678

1948\u201378

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Modern Iran And The Avant-Gardes : 194878 Hans Ulrich Obrist

Modern Iran and the Avant-Gardes, 1948\u201378 explores how the complex cultural tensions of this period led to artistic innovation. As Iran became modern, modernism became distinctly Iranian. Iranian artists created a unique form of modernism that addressed the tension between commitments to innovate and an engagement with traditional Iranian ideas and cultural forms.

Lavishly illustrated, this publication features thirty artists who worked during the pivotal period between 1948 and 1978 and practised in a range of media from painting and sculpture to printmaking, drawing and architecture. Featuring an introductory essay by exhibition curator Pantea Haghighi that surveys the range of artistic and political influences on the emergence of Iranian modernisms and a selection of focused essays by

Modern Iran and the Avant-gardes, 1948\u009678

1948\u201378

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Modern Iran and the Avant-gardes by Pantea Haghighi, Hans Ulr... - 9783777444765

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Modern Iran and the Avant-gardes, 1948–78 by Ali Bakhtiari (Hardback Book)

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Modern Iran and the Avant-Gardes, 1948\u201378 explores how the complex cultural tensions of this period led to artistic innovation. As Iran became modern, modernism became distinctly Iranian. Iranian artists created a unique form of modernism that addressed the tension between commitments to innovate and an engagement with traditional Iranian ideas and cultural forms.

Lavishly illustrated, this publication features thirty artists who worked during the pivotal period between 1948 and 1978 and practised in a range of media from painting and sculpture to printmaking, drawing and architecture. Featuring an introductory essay by exhibition curator Pantea Haghighi that surveys the range of artistic and political influences on the emergence of Iranian modernisms and a selection of focused essays by

Modern Iran and the Avant-gardes, 1948\u009678

1948\u201378

Free UK delivery on this item.

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hardcover

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english

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Hirmer Verlag

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