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Dancing on the Color LineAfrican American Tricksters in Nineteenth-Century American Literature
Author(s): Gretchen Martin
Format: Hardback
Publisher: University Press of Mississippi, United States
Imprint: University Press of Mississippi
ISBN-13: 9781496804150, 978-1496804150
Synopsis
The extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked.
Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedys Swallow Barn, Harriet Beecher Stowes Uncle To.
Dancing on the Color LineAfrican American Tricksters in Nineteenth-Century American Literature
Author(s): Gretchen Martin
Format: Hardback
Publisher: University Press of Mississippi, United States
Imprint: University Press of Mississippi
ISBN-13: 9781496804150, 978-1496804150
Synopsis
The extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked.
Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedys Swallow Barn, Harriet Beecher Stowes Uncle To.
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